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´õºù |
¿µ¾î(DTS-HD MASTER AUDIO 5.1), Æ÷¸£Åõ°¥¾î, üÄÚ, Çë°¡¸®¾î, ½ºÆäÀξî, ·¯½Ã¾Æ¾î(DTS Digital Surround 5.1), Æú¶õµå¾î, ű¹¾î, ÅÍÅ°¾î(Dolby Digital 5.1) |
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ÀÚ¸· |
Çѱ¹¾î, ¿µ¾î, ºê¶óÁú¾î, ºÒ°¡¸®¾Æ¾î, Áß±¹¾î, üÄÚ¾î, ±×¸®½º¾î, È÷ºê¸®¾î, Çë°¡¸®¾î, ½ºÆäÀξî, Æú¶õµå¾î, ·ç¸¶´Ï¾Æ¾î, ·¯½Ã¾Æ¾î, ű¹¾î, ÅÍÅ°¾î, ¿¡½ºÅä´Ï¾Æ¾î, ¶óÆ®ºñ¾Æ¾î, ¸®Åõ¾Æ´Ï¾Æ¾î, ½½·Îº£´Ï¾Æ¾î, ¿ìÅ©¶óÀ̳ª¾î |
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ȸéºñÀ² |
Widescreen 2.40:1
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¿Àµð¿À |
¿µ¾î(DTS-HD MASTER AUDIO 5.1), Æ÷¸£Åõ°¥¾î, üÄÚ, Çë°¡¸®¾î, ½ºÆäÀξî, ·¯½Ã¾Æ¾î(DTS Digital Surround 5.1), Æú¶õµå¾î, ű¹¾î, ÅÍÅ°¾î(Dolby Digital 5.1)
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▪ ¹Ì°ø°³ ¿ÀÇÁ´× ¿µ»ó, Ãß°¡Àå¸é, ¸ÞÀÌÅ· ½ºÅ丮 µî
▪ ÇѱÛÀÚ¸· Áö¿øÀÇ ½ºÆä¼È ÇÇÃÄ ¹× ¹è¿ì¿Í °¨µ¶ÀÇ À½¼ºÇؼ³ ¼ö·Ï
▪ <ű ¾Ö½º: ¿µ¿õÀÇ Åº»ý>¿¡ ÀÌÀº ¶Ç ÇϳªÀÇ È÷¾î·Î ¾×¼Ç
▪ ´õ¿í ȲöÇÏ°í °Åħ¾ø´Â ¾×¼Ç°ú °³¼º ³ÑÄ¡´Â ´ºÆäÀ̽ºµéÀÇ È°¾à
▪ ¼º¼÷ÇÑ ¸Å·ÂÀ¸·Î ÄĹéÇÑ ¡®Èý °É¡¯ Ŭ·ÎÀÌ ¸ð·¹Ã÷, ¾÷±×·¹À̵åµÈ ¾×¼ÇÀÇ ¡®Å± ¾Ö½º¡¯ ¾Ö·± Á¸½¼,
▪ ´ºÆäÀ̽º·Î µîÀåÇÑ ¡®½´ÆÛ Ä¸Æ¾¡¯ Áü ij¸®, Áø°ÝÀÇ ¾Ç´ç ¡®¸Ó´õ ÆÄ´õ¡¯ Å©¸®½ºÅäÆÛ ÇÁ·¡Áö µî ½ºÅ¸ Ã⿬Áø
▪ Åë·ÄÇÑ Äè°¨À» ¼±º¸ÀÌ´Â ÆÀ vs. ÆÀÀÇ ¸®¾ó ¾×¼Ç ¹èƲ
▪ <°Ù ½æ> Á¦ÇÁ ¿Íµå·Î °¨µ¶, <ű ¾Ö½º: ¿µ¿õÀÇ Åº»ý> ¸ÅÆ© º» Á¦ÀÛ |
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¡Ø ½ºÆä¼ÈÇÇÃÄ
• Extended Scenes _ Ãß°¡ Àå¸é (14:56)
• The Making of Kick-Ass 2 _ ¸ÞÀÌÅ· ½ºÅ丮 (49:59)
• Hit Girl Attacks: Creating the Van Sequence_ ¹ê Àå¸éÀÇ Ã¢Á¶ (5:34)
• Alternate Opening (with Commentary) _ ¿µÈ¿Í ´Ù¸¥ ¿ÀÇÁ´× (3:11, À½¼ºÇؼ³ ÇѱÛÀÚ¸· ¾øÀ½)
• Big Daddy Returns: The Unshot Scene (with Commentary) _ºò´ëµðÀÇ È¯¿µ (2:06, À½¼ºÇؼ³ ÇѱÛÀÚ¸· ¾øÀ½)
• Feature Commentary with Aaron Taylor-Johnson, Christopher Mintz-Plasse, Chloe Grace Moretz and Writer/Director Jeff Wadlow _ ¹è¿ì¿Í Á¦ÀÛÁø À½¼ºÇؼ³ (ÇѱÛÀÚ¸· ¾øÀ½) |
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